Klarinet Archive - Posting 000815.txt from 2001/09

From: Roger Shilcock <roger.shilcock@-----.uk>
Subj: Re: [kl] Tenuto as force
Date: Wed, 26 Sep 2001 03:35:57 -0400

I think wind players at rehearsals are obliged - not too strong a word
- to listen to what string players do with markings such as little lines,
little lines under slurs, dots under slurs, and so on. It seems
reasonable to regard the string players' interpretation as the primary
one, given that, at least in modern scores, such signs have specific technical
meanings for them.
Roger S.

In message <d0.1b642a52.28e282e3@-----.org writes:
> Sue says: (Hi Sue!)
>
> << Whenever I get some free time (maybe in my next life!), I'd like to study string bowing in more detail and see how I could relate this to clarinet articulation.>>
>
> My son takes violin from a lady whom I really respect as a violinist and musician. I often eavesdrop on the lessons. I have learned a lot this way, listening her discuss ways of attacking and articulating notes.
>
> I really think there is a lot to be learned there.
>
> Walter Grabner
> www.clarinetXpress.com
> mouthpieces, barrels, repairs, lessons
>
>
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--
Left hand, off land, I hear the lark ascend,
His rash-fresh re-winded new-skeined score
In crisps of curl off wild winch, whirl, and pour
And pelt music, till none's to spill nor spend

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