Klarinet Archive - Posting 000584.txt from 2001/08

From: Daniel Leeson <leeson0@-----.net>
Subj: Re: [kl] Ed Lacy's comments about horns`
Date: Fri, 31 Aug 2001 15:00:00 -0400

Is it your suggestion that Leister and Stolzman sound differently
because of their nationalities (i.e., a suggested German sound vs. some
other nationalistic sound), or because of training, or because of
clarinet manufacturer, or mouthpiece characteristics, or what?

Dan Leeson

Claaronet622@-----.com wrote:
>
> In a message dated 8/31/01 1:34:36 PM, leeson0@-----.net writes:
>
> This whole idea of a "sonic palette" seems to imply that there is a specific
> way the clarinet should sound in relation to the rest of the orchestra. It
> seems to me that this palette would be more disrupted by a change in players
> than a change in a player's instrument. The difference between Karl Leister
> on Bb and Richard Stoltzman on Bb is far more obvious than when Leister
> switches from Bb to A.
> Regards,
> Aaron
>
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--
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** Dan Leeson **
** leeson0@-----.net **
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