Klarinet Archive - Posting 000295.txt from 2001/08

From: Ann H Satterfield <annhsatt@-----.com>
Subj: Re: [kl] Pub-fest
Date: Tue, 21 Aug 2001 12:34:47 -0400

Stewart,
Especially to hear them 'side by side.'

One of the best things about live performance is to hear the same
individual or group vary.

Ann,
who needs to stop reminiscing and get to work.

On Tue, 21 Aug 2001 08:40:31 -0700 stewart kiritz <kiritz@-----.net>
writes:
> Hi Ann,
>
> Sorry didn't get to meet you as well. And yes, it is inspirational
> to hear
> such fine playing. It's also interesting to hear different styles
> of tone
> production and musical expressivity, even if some are more
> intrinsically
> appealing to me than others.
>
> Stewart
>
>
> ----- Original Message -----
> From: "Ann H Satterfield" <annhsatt@-----.com>
> To: <klarinet@-----.org>
> Sent: Tuesday, August 21, 2001 8:47 AM
> Subject: Re: [kl] Pub-fest
>
>
> >
> > On Mon, 20 Aug 2001 19:55:11 -0700 stewart kiritz
> <kiritz@-----.net>
> > writes: [snipped]
> > > More on the Fest:
> > >
> > > I'd second the kudos for Ricardo Morales. As always, he shone.
> > I very much enjoyed his playing. I was also facinated on the way
> that
> > Arrignon and Joko.... blended when the three played Mozart
> together.
> >
> > > Also, I thought Luis Rossi was terrific, and nice to hear a
> different
> > style
> > > of playing from the usual. Unfortunately, his performance was
> at a
> > > poor time slot right before dinner and was not well attended.
> >
> > I am sorry I missed that from the comments of several who
> attended.
> >
> >
> > > I always enjoy listening to Larry Combs. His Reicha quartet
> was
> > > perfection. I know this is sacriligeous to the extreme, but
> while I can
> >
> > > appreciate the control and artistry of Karl Leister, his playing
> is not
> > to my
> > > taste.
> >
> > I enjoyed the Colorado String Quartet with both performers.
> > They played in perfect proportions at all times.
> > I was awed by Leister and Brahms, particularly since he is playing
> the
> > instrument more similar to that Muelfeld's. His recording, with
> Amadeus
> > Q has long been a favorite. It *was* a change to Brahms without
> the
> > sheer physical volume many (including me((not that I have gotten
> to
> > perform the quintet))) bring to the forte sections. For me it
> worked in
> > the context of clarinet and strings having also gorgeous
> piannissmo
> > control and colors.
> >
> > On the discussion the next day, Leister mentioned the end of the
> second
> > movement, "....the soul of the gypsy is ascending into heaven...
> "
> >
> > I loved the appropriate and musically based showmanship of Sujeito
> A
> > Guincho, Fred Ormand & Lee Morgan on Il Covengno(sp), to mention
> just a
> > couple.
> >
> > > Too bad I can't play the clarinet with 1/8th the skill of
> anyone
> > > present, but you don't have to practice to be a critic :-)
> >
> > Don't you find the inspiration and examples make a difference?
> Works for
> > me, at least for a while. Then it is my job to have more good
> samples...
> >
> > I am sorry i didn't get to talk directly with you there.
> >
> > Ann
> > Ann Satterfield
> > ~~~~~~~~~~~~~~~~~Central Florida~~~~~~~
> > Principal clarinet, Imperial SO & Music Manager, ISO
> > Adjunct Faculty & Instrumental Assistant PolkCC
> >
> >
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