Klarinet Archive - Posting 000214.txt from 2001/04

From: "Laura M" <sparks1517@-----.com>
Subj: Re: [kl] C clarinet
Date: Wed, 11 Apr 2001 12:34:50 -0400

Personally I like to transpose (yes, I am insane). I'd leave it in the
original key. Good Luck!
~Laura~

>From: eric james <eric_d_james@-----.net>
>Reply-To: klarinet@-----.org
>To: klarinet@-----.org
>Subject: [kl] C clarinet
>Date: 11 Apr 2001 10:55:09 EDT
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>Hi to all clarinettists:
>
>I wonder if any of you can help me with a C clarinet problem I have. I am
>in
>the process of getting a work published. It is Harmoniemusik from the time
>of
>Mozart and deals with both horns and clarinets in various keys. The
>clarinets
>alternate between Bb and C instruments. The publisher wants all the parts
>to
>be printed for Bb clarinet and F horn. As a horn player, I know that it is
>actually more confusing to play music of this sort that has been
>transposed.
>The notes just don't look right. But I wonder how clarinettists see
>things.
>They have much more complex parts than horns. Is preferable to have C
>clarinet parts transposed to Bb or to play from the original C parts?
>
>My own preference is to publish the parts in their original keys and let
>performers make of them what they will. This would also address the
>proliferation of "authentic" performance groups. I've no idea what a
>classical C clarinettist would make of a Bb part. Any thoughts on the
>matter
>would be greatly appreciated.
>
>Eric James
>
>
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