Klarinet Archive - Posting 000755.txt from 2001/01

From: Lacy Schroeder <LacyS@-----.org>
Subj: RE: [kl] "harmonic analysis'
Date: Tue, 23 Jan 2001 10:17:00 -0500

The G-F#-G-Fnatural-E could be an outlining of the tonic triad using the F#
and F natural as leading tones. I'm thinking maybe one of the jillions of
ways it could be harmonized might be: V - V(7)/V - IV - I, but I'm just
guessing (half-cadences always sounded funny to me). The second part could
be a lot of things!

Lacy Schroeder

-----Original Message-----
From: Bilwright@-----.net]
Subject: [kl] "harmonic analysis'

With an eye towards writing accompaniments, would someone be
willing to comment on what (if anything) is going on in the following
phrase (key is C major):

G - F# - G - Fnatural - E

and the next phrase, which follows the first phrase immediately:

G - A - C - D -E - D - A - G - C - E - D

Thank you,
Bill

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