Klarinet Archive - Posting 000200.txt from 2000/11

From: rgarrett@-----.edu
Subj: Re: [kl] Reed tip buzz
Date: Fri, 3 Nov 2000 18:28:55 -0500

I'm not entirely sure, but it would seem that the reed tip buzz I described
in an earlier post is not what is described below.

Sincerely,
Roger Garrett

At 09:36 PM 11/03/2000 GMT, you wrote:
>It's worth while practising the ability to put high, buzzy harmonics
>into your sound at will. Sometimes, I practise going from the bottom to
>the top of my instrument chromatically, adding the buzz to each note
>without changing the pitch.
>
>Such harmonics, like consonants in speech, are not always required. But
>for some music, they are. The last movement of the Stravinsky Three
>Pieces, for example, benefits greatly if the player has the ability to
>include such sounds.
>
>Those who think that such sounds should *never* be produced in clarinet
>playing can reflect that studying how to produce them is tantamount to
>studying how *not* to produce them.
>
>Tony
>--
> _________ Tony Pay
> |ony:-) 79 Southmoor Rd Tony@-----.uk
> | |ay Oxford OX2 6RE GMN family artist: www.gmn.com
> tel/fax 01865 553339
>
>... Toto, I don't think we're in DOS anymore...
>
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Roger Garrett
Professor of Clarinet
Director, Symphonic Winds
Advisor, IWU Recording Services
Illinois Wesleyan University
School of Music
Bloomington, IL 61702-2900
(309) 556-3268

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