Klarinet Archive - Posting 000602.txt from 2000/10

From: Daniel Leeson <leeson0@-----.net>
Subj: Re: [kl] Mozart Clarinet Concerto
Date: Wed, 11 Oct 2000 17:24:36 -0400

It is a mistake on EVERY edition except Barenreiter. If you listen to
Tony Pay's recording (which uses the Barenreiter edition), you will hear
it played as I suggested.

If you want to see the authority for the change, examine the Barenreiter
volume with the concerto in it and look at the facsimile in the rear of
the volume for the manuscript (in Mozart's hand) of the basset horn
concerto in G. There is NO mistaking what he wrote for the basset horn
(and the violin) at the points I suggest, and it is presumed that this
is what the manuscript of the clarinet concerto said at these same two
points.

Dan

Ian Black wrote:
>
> ----- Original Message -----
> From: Daniel Leeson <leeson0@-----.net>
> To: <klarinet@-----.org>
> Sent: Wednesday, October 11, 2000 2:31 PM
> Subject: Re: [kl] Mozart Clarinet Concerto
>
> > The parallel passage occurs at m. 109 where the sixth note for clarinet
> > should be an f natural and not an f sharp.
> >
>
> Dan,
>
> Is this a common mistake with K622? On both my Eulenberg mini-score and my Boosey & Hawkes clarinet
> part, the F# in bar (measure) 109 is not cancelled for the sixth note and so the sharp should
> (according to these editions) be carried over to the sixth note.
>
> I own 2 recordings of this piece. One is on loan at present, and I can't remember the soloist, but
> am fairly sure I would have noticed if this was played as an F natural (I've always played it as per
> my edition above). The other is Emma Johnson with the English Chamber Orchestra. She also plays the
> F#.
>
> To me, your post implied that it was a mistake only on one (or a very few) editions. How could such
> a mistake have found its way into so many performances? Or is the "correct" version (in absence of
> Urtext) a relatively recent find?
>
> Regards
>
> Ian
>
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--
***************************
** Dan Leeson **
** leeson0@-----.net **
***************************

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