Klarinet Archive - Posting 000771.txt from 2000/09

From: "Tony Wakefield" <tony-wakefield@-----.net>
Subj: Re: [kl] Brahms Espressivo
Date: Mon, 25 Sep 2000 06:19:57 -0400

Roger,
Do you mean the accompaniment underneath bars 5,6,7,8, or the piano repeat
of the solo pt - bars 9 to 16? If 9 to16, I don`t think the pianist is asked
to **probably**, quite so much as **specifically** asked to apply
espressivo - bar 12.
I s`pose tho` that amongst _all_ the recordings mentioned, each and every
one will have it`s own individuality,
an ingredient I don`t suppose the composer would have argued with too much.
Tony W.

From: Roger Shilcock To: <klarinet@-----.org>

>
> On the other hand ..... it may be an anticipation of what the pianist
> would **probably** do anyway when s/he plays the same fragment in the
right
> hand .
> Roger S.
>
>
> On Sat, 23 Sep 2000, Tony Wakefield wrote:
>
> > Date: Sat, 23 Sep 2000 11:10:46 +0100
> > From: Tony Wakefield <tony-wakefield@-----.net>
> > Reply-To: klarinet@-----.org
> > To: klarinet@-----.org
> > Subject: Re: [kl] Brahms Espressivo
> >
> > Is not the espressivo in the 4th/5th measure of the Brahms no 2 but a
> > simple preparatory inflection, and preparation for the next measure (6)
> > which leads into to the climax of the phrase - the C & Bb in measure 7?
> > There could even be (and in fact >is) a natural crescendo on the C & Eb
at
> > the end of measure 6.
> > That`s all.
> > Tony W.

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