Klarinet Archive - Posting 000783.txt from 2000/08

From: Tony@-----.uk (Tony Pay)
Subj: [kl] Re: Phrasing with the harmony -- or not.
Date: Thu, 24 Aug 2000 21:15:40 -0400

I said,

> And when Ken says, it has to be quiet because the minuet begins again
> 'forte', and you want the difference, you'd have to say that there are
> many ways to show that difference.
>
> Like, in the attack of the top G. If you play it not too 'pingily', but
> 'swept', then the beginning of the recapitulation is sufficiently
> different. Doing that is helped if you *show* the D-b 'shape' that
> precedes it.

I forgot to say that the relationship between the end of the trio and
the recapitulation of the minuet is begun by the falling fourth (G-d D,
sounding F-c C) at the end of the *previous* clarinet bit, echoed by the
horns.

The D-b I talked about, sounding C-a, is an analogous shape, taken up
from the top sounding F in the clarinet, and insisted upon by the bass
of the orchestra as F-c again in the recap.

So it can conveniently be played clearly.

Tony
--
_________ Tony Pay
|ony:-) 79 Southmoor Rd Tony@-----.uk
| |ay Oxford OX2 6RE GMN family artist: www.gmn.com
tel/fax 01865 553339

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