Klarinet Archive - Posting 000281.txt from 2000/08

From: "Fernando Silveira" <clarineta@-----.br>
Subj: Re: [kl] Shifrin & Brymer...
Date: Sat, 12 Aug 2000 09:32:59 -0400

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Dear Roger, he is a Selmer Artist in America.
As far as I know he must have to use Selmers...

Best

Fernando
<><><><><><><><><><><><><><><><><><><><><><><>
Fernando Silveira
fsilveira@-----.br
ICQ #: 69239248
-----Mensagem original-----
De: rgarrett@-----.edu>
Para: klarinet@-----.org>
Data: Sexta-feira, 11 de Agosto de 2000 22:24
Assunto: Re: [kl] Shifrin & Brymer...
=20
=20
At 09:25 PM 08/11/2000 -0300, you wrote:
>Dear David, Shifrin uses Selmer.
>
>Best
>
>Fernando
=20
Dear Fernando,
=20
I just heard Shifrin at Chamber Music Northwest. He plays the same =
Buffet
R-13 that he has for the past 30 years.
=20
Sincerely,
Roger Garrett
=20
=20
Roger Garrett
Professor of Clarinet
Director, Symphonic Winds
Advisor, IWU Recording Services
Illinois Wesleyan University
School of Music
Bloomington, IL 61702-2900
(309) 556-3268
=20
A Clarinetist's Revenge is sometimes personified by the following =
excerpt
from the London Daily News, circa 1926:
=20
"The saxophone is a long metal instrument bent at both ends. It is =
alleged
to be musical. As regards markings, the creature has a series of =
tiny taps
stuck upon it, apparently at random. These taps are very sensitive: =
when
touched they cause the instrument to utter miserable sounds =
suggesting
untold agony. Sometimes it bursts into tears. At either end there =
is a
hole. People, sometimes for no reason at all, blow down the small =
end of
the saxophone which then shrieks and moans."
=20
=
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