Klarinet Archive - Posting 000976.txt from 2000/07

From: Audrey Travis <vsofan@-----.com>
Subj: Re: [kl] Re:Learning practices (was Mozart's wife and Carl Maria We
Date: Thu, 27 Jul 2000 20:52:38 -0400

Dan
Rereading your answer to my question to David Hattner, I realize you've
misinterpreted my intent (see your assumption below that "I saw through that crap).
In fact, I was asking a most sincere question, not being facetious, and I really
would like David to explain his views on the subject. David? You're on!

Audrey

Daniel Leeson wrote:

> So I like you and you should consider yourself a special person for
> seeing through this crap about national sounds.
>
>
>
> Audrey Travis wrote:
> >
> > David
> > What exactly is meant when people talk about an"American" sound or a "German" or
> > French" sound? I've never had this explained. Could you take a stab at it,
> > please? And could you, or anyone else, please try to describe each of these
> > sounds?
> >
> > Thanks!
> >
> > Audrey
> >
> > HatNYC62@-----.com wrote:
> >
> > > Now, all of the American
> > > orchestras eventually became what we now recognize as "American Sounding."
> > > But they did so at different rates. Philadelphia scrapped its German roots
> > > very early on, under Stokowski. But Chicago remained heavily German until the
> > > early 50s.
> > >
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> --
> ***************************
> ** Dan Leeson **
> ** leeson0@-----.net **
> ***************************
>
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