Klarinet Archive - Posting 000150.txt from 2000/07

From: Roger Shilcock <roger.shilcock@-----.uk>
Subj: Re: [kl]A review
Date: Tue, 4 Jul 2000 04:07:50 -0400

I think his career has been rather long now for hopes of this kind to be
appropriate.
Roger S.

On Tue, 4 Jul 2000, klarAnn-ette h satterfield wrote:

> Date: Tue, 4 Jul 2000 01:43:31 -0400
> From: klarAnn-ette h satterfield <klarann@-----.com>
> Reply-To: klarinet@-----.org
> To: klarinet@-----.org
> Subject: Re: [kl]A review
>
>
> On Sat, 01 Jul 2000
> >, LeliaLoban@-----.com said:
> >> Is "Kennedy" violinist Nigel Kennedy?
>
> >(Tony Pay) writes:
> >Yes. I believe he now calls himself, "Kennedy", snip
>
> I am disappointed that Nigel Kennedy was part of the mish-mash. From
> what i experienced in a concert that i saw him live he IS capable of
> doing a competent job on that type of program.
>
> I heard him about 10 years ago. I was the concert twice, because i was
> so fascinated by a work premiered on the same program. Nigel played
> Beethoven Violin Concerto. The second performance, i had mooched a
> ticket and was only about 12 rows from the stage. I was focusing on the
> violin part, and smiled in reaction to a fluid scale passage. Kennedy
> spotted my attention, communicated that the piece was about human issues,
> not about violin technique. The remaining 2and1/2 movements was one of
> the strongest musical experiences of my life. During the cadenza, i
> recognized a quote from Sibelius concerto, but still tied into Beethoven.
> As an encore, he played, with the backup of one of the basses, a jazz
> tune(something like Sweet Georgia Brown). It was FINE.
>
> Nigel Kennedy is capable of transcending types and styles. I hope that
> he finds the way to use his abilities.
>
> annhall
> Ann Satterfield
> clarinetist and teacher
>
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