Klarinet Archive - Posting 001329.txt from 2000/06

From: "Alf Hörberg" <alf.horberg@-----.se>
Subj: SV: [kl] K622
Date: Thu, 29 Jun 2000 16:19:40 -0400

I respect your decition and I'm glad you tried it out.
Wich orchestra/conductor did you play it with? Was it on old instruments?

Alf
----- Original Message -----
From: Tony Pay <Tony@-----.uk>
Subject: [kl] K622

> On Sun, 11 Jun 2000 17:20:51 BST, I said:
>
> > Alf said:
> >
> > > I want to go with your suggestion to play it one octave lower and
> > > change bar 299 so it becomes identical, or similar to bar 111 in
> > > the exposition, playing down to low D. The 16th in bar 299 would
> > > be: b.g.f.low d.f.g.b.d.f.g.b.d.f.d.b.d./c.
> >
> > I have to confess that, trying this out, I've changed my previous
> > opinion that this solution won't work; it does work very well.
> > Thanks, Alf.
> >
> > Because, with Alf's idea:
> >
> > You still get a change of octave in 298, which works well with the
> > violins and violas in 298;
> >
> > My reasoning about requiring the clarinet for the first inversion
> > isn't strong, because the first inversion is already there, with 2nd
> > violins in the bass;
> >
> > Though I always liked the 'cello echo of the low C#, I find I can
> > equally like their unprepared entry.
> >
> > So now I have a choice.
>
> Well, I did try it out, in my Spanish concerts, but -- guess what -- I
> finally went back to what appears in NMA plus my FDFD on the final
> crotchet of 299.
>
> With the orchestra, I just miss that extreme change of register too
> much, as a variant on the exposition, and couldn't get to like the other
> enough.
>
> In the end, the other may be a solution, but it's not Mozart's greatest
> idea, is it? Especially the second time round.
>
> Tony
> --
> _________ Tony Pay
> |ony:-) 79 Southmoor Rd Tony@-----.uk
> | |ay Oxford OX2 6RE GMN family artist: www.gmn.com
> tel/fax 01865 553339
>
> .... Always be sincere, whether you mean it or not.
>
>
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