Klarinet Archive - Posting 000954.txt from 2000/06

From: Audrey Travis <vsofan@-----.com>
Subj: Re: [kl] Conductors--Rant; Marcellus's Mozart Concerto
Date: Fri, 23 Jun 2000 11:01:28 -0400

Tony
You can have much more than just a tiny wee portion - the older I get, the more
my dying brain cells are replaced by brand new 'heart and soul' cells! And
they proliferate like crazy! Lots left over for friends and family - help
yourself.

Cheers.

Audrey

Tony Wakefield wrote:

> Hello Audrey,
> Can I have just a tiny wee portion of your Heart and Soul? <Please?>
> Best wishes,
> Tony W.
>
> ----- Original Message -----
> From: Audrey Travis <vsofan@-----.com>
> To: <klarinet@-----.org>
> Sent: 23 June 2000 05:54
> Subject: Re: [kl] Conductors--Rant; Marcellus's Mozart Concerto
>
> > I'm inspired to write because I wish I had been the one lucky enough to
> hear and
> > see Robert Marcellus perform/record live. I have musical heroes and he is
> one
> > of them. Each of us comes to clarinet and to music from a most individual
> point
> > of view, need or reason. Each one of us treasures different aspects of
> > learning, listening (to others) and performing ourselves. This is why we
> each
> > like, love, hate or revere different performances of the same work. We
> all
> > listen for, hear others, play and perform for different reasons. There is
> no
> > right or wrong. What is wondrous to me may be rancourous to another.
> >
> > What draws me to clarinet is tone quality in an orchestral setting above
> all
> > else. A sound which touches my heart and reaches into my soul is pure
> heaven
> > for me. Many months ago I wrote that Marcellus' Mozart performance, was,
> for
> > me, the most compelling, gorgeous performance I had ever heard in my
> entire
> > life. I do not judge his performance on technique, interpretation, use or
> lack
> > of use of ornamentation, his use of A clarinet instead of basset clarinet,
> the
> > edition he performed, whether he sat or stood or anything else objective.
> I am
> > NOT objective. I simply heard pure, sweet, exalted sound. Why else would
> I
> > have listened to it an estimated 50 times in a row in three months?
> Later, as I
> > listened to other Cleveland recordings featuring Marcellus as Principal, I
> > continued to be deeply in awe of that sound. I simply couldn't get enough
> of
> > that sound. Why I was so inevitably drawn to his tone quality eluded me
> for a
> > year and a half after I began my own clarinet studies. There was
> sometimes a
> > combination of the music itself coupled with that sound that was
> irresistable to
> > me. Finally I realized that for me, his sound, that kind of clarinet
> sound was
> > the purest form of prayer and earthly expression of the soul. I still
> believe
> > that while the strings are the heart of the orchestra, the clarinet is its
> soul.
> >
> > That is what I want- to produce the clarinet sound which will connect with
> my
> > own soul and speak with the Divine. Each of you wants something different
> from
> > music, so you hear, interpret, learn and perform differently.
> >
> > Although I am now ready to hear other 'interpretations' of the Mozart, but
> there
> > will always be a delightfully special place in my heart for Robert
> Marcellus.
> >
> > Audrey
>
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