Klarinet Archive - Posting 000837.txt from 2000/05

From: "webler1" <webler1@-----.com>
Subj: Re: [kl] Tone -- a neurological approach
Date: Thu, 18 May 2000 09:37:09 -0400

Frankly I'm not sure if there is an agreement on what a Clarinet should
sound like. For example, many people
love the Playing of Charles Neidich. There are others, who are excellent
players and well qualified to critique
the sound qualities of a player, who don't like the sound that Charles
Neidich. That'a one of the reasons that playing Clarinet in
front of a crowd of Clarinet players can be such an unnerving experience.

Jay Webler
Jay's Clarinet and Percussion

----- Original Message -----
From: Paul Miller <paulplaysclarinet@-----.com>
Subject: Re: [kl] Tone -- a neurological approach

>So, really, it's not the terminology
> that is so important, it's the student's conceptualization of what a
> clarinet is supposed to sound like in most situations (according to our
> "classical" tradition), and that conceptualization, and tone, is
developed
> over time

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