Klarinet Archive - Posting 000494.txt from 2000/05
From: Tony@-----.uk (Tony Pay) Subj: [kl] Conservatism or not Date: Mon, 8 May 2000 17:33:46 -0400
> On Sun, 7 May 2000 22:46:42 -0700 "Benjamin Maas"
> <benmaas@-----.com> writes:
> > Compared to the Lowenstern recording that was being discussed,
> > Messiaen is very conservative.
[snip]
> > My use of the term is because there is nothing terribly
> > ground-breaking about the techniques used in performance. Whereas
> > Lowenstern is continually experimenting with sound, timbre, texture,
> > and tonality, this CD does not. It is good, basic, straight-ahead
> > great playing.
Without knowing either of the CDs under discussion, but having been
involved with the ever-arriving and ever-passing 'new' music for many
years, I have to say that in my experience the *best* of it doesn't
'continually experiment with sound, timbre, texture and tonality'.
(Of course, many composers and performers *have* unfortunately been
concerned to do precisely that.)
And if I wanted to say of some playing that it was *great* playing -- of
whatever music, never mind of Messiaen's still terrifyingly potent
'Abime' (after *fifty years*, imagine; *such* old hat!) -- I wouldn't
feel inclined to say at the same time that it was 'good', 'basic' or
'straight-ahead'.
It seems to me that our job is to try to say things worth saying in a
way that includes being able to be clear, elegant, beautiful, brutal,
horrifying, dramatic, outrageous -- even simpering and pusillanimous --
and then, having said these things worth saying, to try to say them
again.
Lowenstern of course may be up to that -- I don't know.
Anyway, beware the false dichotomy.
Perhaps in my later years, I should try 'experimenting continually with
sound, timbre and texture'.
Or not.
Tony
--
_________ Tony Pay
|ony:-) 79 Southmoor Rd Tony@-----.uk
| |ay Oxford OX2 6RE www.gmn.com/artists/welcome.asp
tel/fax 01865 553339
... FANATIC: one enthusastic about something you don't care about.
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