Klarinet Archive - Posting 000356.txt from 2000/05

From: "Kevin Callahan" <kionon@-----.com>
Subj: Re: [kl] Molly On The Shore
Date: Sat, 6 May 2000 16:37:47 -0400

>From: "Emily S" <harvinet@-----.com>
>Reply-To: klarinet@-----.org
>To: klarinet@-----.org
>Subject: Re: [kl] Molly On The Shore
>Date: Sat, 06 May 2000 02:56:53 GMT
>
>Isn't it physically really hard to be in good shape on a brass and a reed
>instrument at the same time?
>

I've had no trouble at all. I can switch back and forth. For me it seems
like they use different sections of the mouth muscles so it's kind of like a
car seat. I just have to think "Ok, I want this instrument," and my mouth
responds by forming in the way I want it. I have good tone and good volume
on both. But then, I believe if you love something enough you'll find a way
to make it happen.

Kevin Callahan
"Mouth, Form Clarinet Embouchure."
* Kevin plays.
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