Klarinet Archive - Posting 000320.txt from 2000/05

From: "Emily S" <harvinet@-----.com>
Subj: Re: [kl] Molly On The Shore
Date: Fri, 5 May 2000 22:56:53 -0400

Isn't it physically really hard to be in good shape on a brass and a reed
instrument at the same time?

>From: "Kevin Callahan" <kionon@-----.com>
>Reply-To: klarinet@-----.org
>To: klarinet@-----.org
>Subject: Re: [kl] Molly On The Shore
>Date: Thu, 04 May 2000 15:20:00 PDT
>
>
>
>
>>From: "Tim Roberts" <timr@-----.com>
>>Reply-To: klarinet@-----.org
>>To: "Clarinet List" <klarinet@-----.org>
>>Subject: [kl] Molly On The Shore
>>Date: Thu, 04 May 2000 14:36:21 -0700
>>
>>Our community band is currently "experiencing" Grainger's Molly On The
>>Shore.
>
>*Grumble* Another reminder of the peice of music that has put me a
>situation
>I'd rather not be in. I made first chair on trombone and third chair on
>clarinet. The directors won't allow me to play clarinet. I'm all twisted
>inside. I'm happy I made such a good chair on trombone, but I'm upset about
>not being able to clarinet. I never imagined I'd get such a high chair on
>trombone, so I expected there to be no trouble in my transition. It's like
>wanting to run in two different directions. *sigh*
>
>Kevin Callahan
>* Kevin glares at his copy of the First Clarinet part of Molly on the
>Shore.
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>
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