Klarinet Archive - Posting 000468.txt from 1999/12

From: "Danny Ehrhart" <saxman105@-----.net>
Subj: Re: [kl] >Subject: Just some info.
Date: Thu, 16 Dec 1999 18:03:21 -0500

true, very true, I see where that would come in handy. But I had totally
forgotten about the clarion thing from when I did that report on the
clarinet 2 years ago in the 9th grade! what fun that was.

Danny Ehrhart

Visit my web page at http://saxman105.home.att.net
or e-mail me at: saxman105@-----.net

It is only as we develop others that we permanently succeed.
-- Harvey S. Firestone
(a great moto for teachers.)
-----Original Message-----
From: James Leonard Hobby <jhobby@-----.net>
Date: Thursday, December 16, 1999 4:00 PM
Subject: Re: [kl] >Subject: Just some info.

>I can't speak for anyone else, but I referred to Selmer-Paris to
>distinguish them from Selmer-USA instruments, which are ... less desirable.
> (Of course, it might be because they're made in Paris? <g>)
>
>Ah, I see further that what you object to is the term "horn." I suppose it
>comes from the time when I was a band director. Horn was easier than, "Get
>your piccolo-flute-clarinet-saxophone-trumpet-trombone-yada-yada-yada, and
>head for the stage." (If it was stage band, it'd be, "Get your ax!" <g>)
>
>Jim
>
>=================
>
>>From: "Danny Ehrhart" <saxman105@-----.net>
>
>>>From what I have seen, the paris-line horns (I hate when people call them
>>that. I don't know why I do it either,) are much more expensive for a new
>>model now-a-days. but thanks.
>
>
>
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