Klarinet Archive - Posting 000044.txt from 1999/11

From: "Michael Bryant" <michael@-----.uk>
Subj: Re: [kl]Grand Duo - Weber
Date: Tue, 2 Nov 1999 13:06:51 -0500

The autograph of the Weber Duo Concertante
is now in the Library of Congress, Washington.
In the clarinet part, measures 13 and 14 of the
third movement are (should be) the same.

Mike Bryant

James Sclater wrote on 02 November 1999 16:05 on the Grand Duo - Weber

>Can someone answer the following question regarding the 3rd movement of
>the Grand Duo?
>
>In the Kalmus edition in mvt. 3, measure 13 begins differently from
>measure 14, yet in the reprise of those measures four bars before letter
>E the two measures are identical.
>The recording I heard by Michael Collins has both two-measure groups
>the same (each measure begins the f-majot arpeggio on "F" rather than on
>"A".
>
>Has anyone noticed this? Which one is correct?
>
>Jim Sclater
>
>James Sclater
>Professor of Music
>Mississippi College
>
>
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Message-ID: <381F3068.6DF776E6@-----.il>
Date: Tue, 02 Nov 1999 20:41:44 +0200
From: Rachael <davidor@-----.il>
References: <0.3d7a1a2e.254f73d9@-----.com>
Subject: Re: [donax-m] Lip and cheek gymnasium

I have found the following exersize helpful: Blow up your cheeks full
of air,
and then with the cheek muscles, push the air out. This will help with
the
control of the "ROUND" embrashure, and I get a full, mellow tone ( I
know, how
do you define that?). The other thing that I do, and I hope that it is
not
against the law, is that I have a fife, a flute with no keys, silver
plated, and
when I'm first at a red light, I play a tone, or a short tune until the
light
turns green. Then I set it on the seat next to me and zoom off.
Learning the
fife helps me to focus on problems that my clarinet students might get
into, and
helps me to control better the airstream.

Rachael Orbach
davidor@-----.il
http://sites.netscape.net/rachaelorbach/homepage

Clarial@-----.com wrote:

> Joseph Allard describes the aftermath of his first clarinet lesson with
> Daniel Bonade. Bonade had shown Allard a new way to hold the corners of his
> mouth. (Allard described this as having the corners of the lower lip touch
> the bottom molars. The lips are more-or-less in the shape of a smile.)
> Allard practiced this for the entire eight hour train ride from Cleveland to
> Boston.
>
> After Allard commended this exercise to me, I practiced it frequently when
> away from the clarinet, but I'm not sure it helped me as much as it helped
> Joe.
>
> Al Hunt
>
> In a message dated 11/1/99 12:56:48 PM, vincent.wallace@-----.ie writes:
>
> << Are there any useful exercises for strengthening lip and / or cheek
> muscles apart from actual playing, e.g. while driving? An archive search did
> not yield the desired results.
>
> Thanks, Vincent
>
> >>
>
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