Klarinet Archive - Posting 000354.txt from 1999/10

From: Roger Garrett <rgarrett@-----.edu>
Subj: [kl] Re: Muchmartle@-----.com/Jocelyn Tipple
Date: Tue, 12 Oct 1999 15:08:29 -0400

I have been unsuccessful in reaching Jocelyn Tipple, email address
Muchmartle@-----. She has been a member of the list in the past, and I
am hoping someone can put me in contact with her. She has several
mouthpieces she has been trying and has not contacted me about those. It
would be helpful if anyone knows Jocelyn personally to contact me so that I
could reach her via telephone.

Thanks very much

Sincerely,

Roger Garrett
Professor of Clarinet
Illinois Wesleyan University
School of Music
Bloomington, IL 61702-2900
Office: (309) 556-3268
Fax: (309) 556-3411

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From donax-m-return-58-archive@-----.com Tue Oct 12 18:02:00 1999
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Message-ID: <380380CF.53A2A078@-----.edu>
Date: Tue, 12 Oct 1999 11:41:30 -0700
From: Alan Stanek <stanalan@-----.edu>
Organization: Idaho State University
References: <006c01bf14a3$a423d620$1dad7dc2=vwallace>
Subject: Re: [donax-m] Changing reed strength.

Vincent,

For me, the additional reed strength (not much, #3 to 3.5 or 4) enables me to
control more of the aspects of tone and articulation. These aspects include
tonal color, dynamics, length of articulated notes, phrasing, pitch, register
changes, etc.

Hopes this helps understand this aspect of your playing.

Alan E. Stanek, D.M.A.
Professor of Music and Music Dept. Chairman at Idaho State University
P.O. Box 8099, Pocatello, ID 83209-8099 http://www.isu.edu/music
phone: 208-236-3108; fax: 208-236-4884;  email: stanalan@-----.edu
Past President, International Clarinet Assoc. http://www.clarinet.org
Make plans to attend ClarinetFest 2000, July 13-16
University of Oklahoma, Norman, Oklahoma http://www.clarinetfest.org

Vincent Wallace wrote:
>
> What is it that actually causes the need to progress to stronger reeds as one
> develops the art of clarinet playing?
> Thanks, Vincent..

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