Klarinet Archive - Posting 001087.txt from 1999/07

From: "JORGE SERRANO" <jorgeserrano@-----.ve>
Subj: RE: [kl] Breathing techniques
Date: Tue, 27 Jul 1999 11:29:33 -0400

Gorgias:
Me encontré con tu nombre en la lista de Klarinet y recordé que nos habíamos
conocido el pasado año en el Conservatorio Simón Bolívar. Soy Jorge Serrano,
el profesor del Instituto Superior de Arte de La Habana, me encuentro aquí
en Caracas desde hace 10 meses, recuerdas que mi esposa es venezolana?
Soy profesor de Clarinete y Música de Cámara del IUDEM.
Mucho te agradecería, sobre la pregunta, si puedes hacerla en español, te
respondo, justamente en este momento me encuentro dando un Curso de Verano y
está comprendido un Taller sobre Respiración, pero como comprenderás mi
inglés no es ni tan fluido ni nada.
Recibe mis saludos,
Jorge Serrano
-----Mensaje original-----
De: Gorgias Igor Sanchez <gisanche@-----.edu>
Para: klarinet@-----.org>
Fecha: Lunes 26 de Julio de 1999 04:32 AM
Asunto: Re: [kl] Breathing techniques

>
>There seems to be a debate between two major breathing techniques in the
>production of sound. The first one consists of pushing the air by
>tightening the abdominal muscles and keeping them pushed out.
>The second technique in discussion consists of pushing the air through
>more air, not by tightening the muscles. Supposedly the diafragm is to
>push in and up. On the first technique the diafragm is supposed to remain
>pushed out and down.
>It seems to be quite contradictory for arriving to similar results.
>
>Does anybody have any thought about this matter?
>What are the advantages and disadvantages of this techniques?
>Are there any more breathing techniques?
>
>It would be great if information related to sound production such as
>quality (dolce vs. agressive), projection, flexibilty in the tone and
>other qualities can be provided.
>
>Thanks,
>
> Gorgias
>
>
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