Klarinet Archive - Posting 000838.txt from 1999/05

From: "Fernando Silveira" <fernando1@-----.br>
Subj: Re: [kl] Polovetsian Dances
Date: Tue, 18 May 1999 03:19:17 -0400

Hi, I already had played it several times in that way:
D-E-D-Fnatural-E-D| E-F-F#-G-Fnatural-E.
Diferent conductors and never anyone asked me to play it in a diferent way.
All records I own the people play in that way.

i hope it helps.

All the best

Fernando
Fernando Silveira
Principal Clarinet - National Symphony - Brazil
Clarinet & Saxophone Professor - Rio de Janeiro University
fersilv@-----.br
Phone (55)(21) 613-4229
Fax (55)(21)716-2248
IV Encontro Brasileiro de Clarinetistas Home Page:
http://www.sindmusi.com.br/clarinet.htm
-----Mensagem original-----
De: Karl Krelove <kkrelove@-----.com>
Para: Klarinet <klarinet@-----.org>
Data: Segunda-feira, 17 de Maio de 1999 21:28
Assunto: [kl] Polovetsian Dances

>It surprises me sometimes how mindless I can sometimes be in an orchestra
>when the part is something I learned long ago and take for granted. A
>student was working on the Presto of Polovetsian Dances (the first movement
>of the suite). She was using my Kalmus part. When we got to the last solo
>passage (2 measures after E if you have the part handy) I started playing
it
>with her: D-E-D-Fnatural-E-D| E-F-F#-G-Fnatural-E|, which is how I've
always
>played it. Then I stopped and realized that, in this part at least, there's
>no natural sign on the last F(next-to-last-note) to cancel the sharp sign
>two notes earlier. I checked in the only other source I own, Bonade's book
>of excerpts, and, sure enough, the note is written with a natural sign. I
>guess I originally learned it from the Bonade book, but I've played it
>half-a-dozen times and never noticed if the F natural sounded wrong.
>
>Which is right? Is the Kalmus part wrong (I can't imagine!) or is Bonade's
>correction wrong? Bonade's way (F natural) sounds right to me, but I've
been
>playing it that way for 30 or so years. Never, unfortunately, under a
>conductor who would have known the difference.
>
>Karl Krelove
>
>
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