Klarinet Archive - Posting 001314.txt from 1999/03
From: "Antoine Clark" <CLARIGUY@-----.net>
Subj: [kl] mistakes
Date: Thu, 25 Mar 1999 21:53:56 -0500
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Content-Description: Mistakes
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From: "Antoine Clark" <CLARIGUY@-----.net>
Subject: Mistakes
Date: Fri, 19 Mar 1999 00:55:29 -0500
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-----Original Message-----
From: Antoine Clark <CLARIGUY@-----.net>
Date: Friday, March 19, 1999 12:37 AM
Subject: Mistakes
I am really getting tired of all the mistakes that are found in some =
of the literature that I own. In no way in this message am about suggest =
that any publishing company not be used, I am only expressing my disgust =
in the versions of the Weber Concertino and Weber's first and second =
concerto that I own. I have the international companies version edited =
by Reginald Kell. I think they are horrible. In each one I believe there =
are mistakes. What pushed me to this conclusion is the fact that in this =
edition of the Weber Concertino, there is a G# put into the run in the =
second var. that should not be there. I think it is the 8th or 9th =
measure. And in the 6/8 var. on the third page there is a measure left =
out in the clarinet part before going into the next var. I understand =
that articulations may be a personal choice in these pieces and are =
interpreted differently by many, but I don't get the obvious mistakes in =
printing. Does anyone have a personal choice of publishing when it comes =
to accuracy? I am worried that there may be you students out there who =
may by these pieces with mistakes and learn them all wrong. I am sure =
they will finally be taught the correct way by a private teacher but I =
feel that they should get the music closes to the original of the =
composer. This applies for all work not just my the Weber works.=20
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<META content=3Dtext/html;charset=3Diso-8859-1 =
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<DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
</B>Antoine Clark <<A=20
href@-----.net</A>><BR><B>T=
o:=20
</B>klarinet <<A=20
href@-----.o=
rg</A>><BR><B>Date:=20
</B>Friday, March 19, 1999 12:37 AM<BR><B>Subject:=20
</B>Mistakes<BR><BR></DIV></FONT>
<P><FONT color=3D#000000 size=3D2> I am really getting =
tired of=20
all the mistakes that are found in some of the literature that I own. In =
no way=20
in this message am about suggest that any publishing company not be =
used, I am=20
only expressing my disgust in the versions of the Weber Concertino and =
Weber's=20
first and second concerto that I own. I have the international companies =
version=20
edited by Reginald Kell. I think they are horrible. In each one I =
believe there=20
are mistakes. What pushed me to this conclusion is the fact that in this =
edition=20
of the Weber Concertino, there is a G# put into the run in the second =
var. that=20
should not be there. I think it is the 8th or 9th measure. And in the =
6/8 var.=20
on the third page there is a measure left out in the clarinet part =
before going=20
into the next var. I understand that articulations may be a personal =
choice in=20
these pieces and are interpreted differently by many, but I don't get =
the=20
obvious mistakes in printing. Does anyone have a personal choice of =
publishing=20
when it comes to accuracy? I am worried that there may be you students =
out there=20
who may by these pieces with mistakes and learn them all wrong. I am =
sure they=20
will finally be taught the correct way by a private teacher but I feel =
that they=20
should get the music closes to the original of the composer. This =
applies for=20
all work not just my the Weber works. </FONT></P></BODY></HTML>
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