Klarinet Archive - Posting 000591.txt from 1998/10

From: Roger Shilcock <roger.shilcock@-----.uk>
Subj: Re: [kl] I've started, so I'll finish
Date: Wed, 14 Oct 1998 04:02:38 -0400

This is primarily just acoustic, isn't it?
Whatever is going on, one needs to *hear* both the parts. Then, one needs
to
have one's attention appropriately directed to both (or each) of them.
Roger S.

On Wed, 14 Oct 1998, Note Staff Unlimited wrote:

> Date: Wed, 14 Oct 1998 00:02:28 +0200
> From: Note Staff Unlimited <notestaff@-----.ch>
> Reply-To: klarinet@-----.org
> To: klarinet@-----.org
> Subject: Re: [kl] I've started, so I'll finish
>
>
>
> klarinet@-----.org schrieb:
> Tony Pay wrote:
>
> > <<I said that I had a few more shots in my locker about this
> > 'beginning-oriented phrasing' business that I intended to get off, so
> > I'll produce them in this post.>>
>
> I enjoyed reading your comments tremedously. I wish I could verbalize these
> things half as effectively as you do. (That on top of your abilities and
> achievments as a clarinettist!)
>
> > << Our beginnings are our most powerful gestures.>>
>
> Simply true.
>
> <<So, even if we are doing a diminuendo,
> and giving therefore less energy to the note or phrase we are playing,
> we are more clearly perceived than if we stayed at the same dynamic.>>
>
> Then why is it sooooo annoying when someone holds on to a long, too loud note
> drowning out, say an eighth note/quaver passage of more importance? According
> to this theory, it wouldn't be noticed as much as a gradual diminuendo would
> be...This must be the exception which proves the rule?...
>
> > Tony
> > --
> > _________ Tony Pay
> > |ony:-) 79 Southmoor Rd Tony@-----.uk
> > | |ay Oxford OX2 6RE
> > tel/fax 01865 553339
> >
> > .
> >
> > -------------------------------------------------------------------------
>
> David
>
> David Glenn
> notestaff@-----.ch
>
>
> -------------------------------------------------------------------------
>
>

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