Klarinet Archive - Posting 000423.txt from 1998/10

From: James Rosen <mgervick@-----.edu>
Subj: [kl] 1234/2341
Date: Fri, 9 Oct 1998 23:20:29 -0400

Tony Pay said:
<
However, I do find that looking at bar-structure
and phrasing in what one could call a 'beginning-oriented' rather than
an 'end-oriented' way significantly clarifies the performance of
classical music, and has further implications for effective playing,
both solo and orchestral.
>
However, this is true in the third movement of the very piece you mention -
K622.
Here, it is logical to place emphasis on the 3rd and 6th beats of each
(most) bar. For me, this creates what I imagine to be the "correct" feel.
While this feeling applies only to me, I try to convey its "meaning" to the
audience when playing. Thus the end beats are more important aspects in
this piece than the on beats.
-James Rosen

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