Klarinet Archive - Posting 001092.txt from 1998/09

From: Roger Shilcock <roger.shilcock@-----.uk>
Subj: Re: [kl] A Hard Interval
Date: Mon, 28 Sep 1998 04:18:40 -0400

Personally, I think good tuning and good tone are both more important than
the last degree of smoothness. That's not *just* because I find it a
problem.... On many commercial recordings of well-known pro soloists, you
may hear all sorts of glugs and faint clunks between slurred notes. These
are
apparent presumably because of the closeness of the microphones. A lot of
these sounds would be inaudible to a live audience in a concert-hall, or,
at any rate, not noticed.
Roger Shilcock

On Fri, 25 Sep 1998, Karen Horvath wrote:

> Date: Fri, 25 Sep 1998 12:56:54 -0400 (EDT)
> From: Karen Horvath <horv1607@-----.edu>
> Reply-To: klarinet@-----.org
> To: klarinet@-----.org
> Subject: [kl] A Hard Interval
>
> Hello! I'm a freshman at college and I'm currently workin out of book one
> of the Kroepsch Studies. There's quite a few difficult intervals in some
> of them but the one I'm having the most trouble with is from open G to
> high C. I just can't seem to get it smooth. Does anyone have any
> suggestions? Please help! Thanks.
> Karen G. Horvath
>
>
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