Klarinet Archive - Posting 000841.txt from 1998/06

From: Roger Shilcock <roger.shilcock@-----.uk>
Subj: Re: [kl] Re:Bass clarinet vibrato/Pini di Roma
Date: Thu, 25 Jun 1998 08:04:43 -0400

Surely the nightingale in "I Pini" is on a record? That's what Respighi
wanted, at least.....
rjs

On Mon, 22 Jun 1998, ROBERT HOWE wrote:

> Date: Mon, 22 Jun 1998 22:33:33 -0500
> From: ROBERT HOWE <arehow@-----.net>
> Reply-To: klarinet@-----.org
> To: klarinet@-----.org
> Subject: [kl] Re:Bass clarinet vibrato/Pini di Roma
>
> Is this a joke? Haven't you ever heard a bird sing? The clarinet solo,
> the nightingale, in I Pini di Roma, very much needs vibrato. Sounds dead
> otherwise. Poor little nightingale, no life at all, maybe the nasty
> clarinet cat from Peter & The Wolf got you.
>
> Vibrato is a valuable technique which allows you to enrich your clarinet
> sound. Try it, you'll like it.
>
> For the English horn solo in I Pini di Roma, vibrato is without question
> needed. Otherwise it sounds dead. Like so many clarinettists do on the
> nightingale, I would add if I wanted to be snide.
>
> Bon Regardez,
> Robert Howe
> English horn & oboe player/doubler on clarinet and Saxophone
>
> Stuart wrote:
> >Subject: Re: Vibrato on bass
>
> >>Regarding the teacher, his comment was doctrinaire, but too strong. >Has
> >>he ever heard the clarinet solo in Pines of Rome played REALLY well,
> >>some vibrato is SO wonderful here.
>
> >That's not a clarinet; it's an english horn.
>
> >Stuart
> >CoolStu67@-----.COm
> >ContraSM@-----.net
>
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