Klarinet Archive - Posting 000138.txt from 1998/06

From: jisa@-----.com (Alexis)
Subj: Re: [kl] Neidich's tongue and Marcel Tabuteau
Date: Thu, 4 Jun 1998 02:00:06 -0400

Mario wrote:
>Charlie Neidich doesn't flutter tongue in the Weber, he double-toungues,=
just
>like most of his students. Something we all should think about working on.
>There was after all, a time when oboists, bassoonists, and flutists didn't=
do
>it either, and now they all have to. I think that Marcel Tabuteau was=
largely
>responsible for this. =20
Wouldn't it make more sense if he was triple-tonguing, since the passage=20
being discussed is 16th-note triplets? Normally both kinds of multiple=20
tonguing are learned since they apply in different situations, and this is=
=20
one where triple makes more sense than double.
As for multiple-tongue on clarinet...I've never figured out why it doesn't=
=20
happen more often!

----------:-)----------:-)----------:-)----------:-)---------
"After silence, that which comes closest to expressing=20
the inexpressible is music."=20
=97Aldous Huxley

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