Klarinet Archive - Posting 000522.txt from 1997/09

From: "Steven Gordon, M.D. 729 X3151" <GORDONST@-----.org>
Subj: String
Date: Wed, 10 Sep 1997 14:58:11 -0400

The question of using a string to "create" a new clarinet has not been
fully addressed. There are many factors to be considered before
rejecting this as a viable mode of transposing.

Contrary to what we now know is true for clarinets - that the material
has essentially no bearing on the sound produced - the material used for
the string is of prime importance. This ranges from cotton and wool to
silk, and, of course synthetics and composites (Buffet has a grenadilla
yarn which is environmentally friendly)

According to Martha Stuart, you should only use natural cotton string
for any of your home projects. Martha suggests that you make the cotton
strings yourself from the highest quality cotton, 30 turns per inch.
Dyed green so that the color does not change over time. She also
suggests soaking it for 17 days in Columbia Riesling (sweetens the
sound).

Scientific American suggests that that synthetics have advantages, and
you can pick up a variety of colors of nylon at your local boating
store. Very durable. Can also be used to strangle the conductor.

No matter what you choose, there is the advantage of running the string
out the barrel and into a pop can (you can tie it to the pull top).
This provides a true conduit for condensation and keeps it off of your
shoes.

Obviously, studies are needed to sort this out. The materials, the
tightness of the helix, the length, etc. Any takers?

Steve Gordon
Beaverton, OR