Klarinet Archive - Posting 000815.txt from 1997/05

From: VN1@-----.com
Subj: Re: Pitch of tuning notes
Date: Fri, 30 May 1997 09:24:02 -0400

In a message dated 5/29/97 4:31:31 AM, you wrote:

<<On Wed, 28 May 1997, Roger Shilcock wrote:

> There's some stuff on sneezy about the relationship between perceived
> intonation and tone quality. I think I have the same problem - the sound
> of my A is richer in lower partials than that of my B flat, and so the
> instruments are *different* to tune against other instruments, especially
> the infamous oboe. Why are oboe tuning As so often sharp? Any excuses from
> anyone>>

As a violinist, mostly, If my instrument is in tune to my electronic tuner at
A-440, it is in tune with the oboe tuning A because all oboists that I know
play to an electronic tuner. But, this does not ensure that the oboe will
play in tune. Frequently the oboist will sound the A and then lip up or down
to center the needle. Of course, if the instrument is cold this would
explain that, but in some cases I am sure that a different reed should have
been selected.

I have noticed that when tuning to the oboe many other wind players do not
adjust their instruments, but simply blow the note higher or lower. I find
this often true for flute players, who frequently play sharp. I assume that
a cold instrument will explain that, but I would appreciate knowing more from
you folks. I am aware that only percussion instruments come "in tune," and
that it is up to the player to play in tune by whatever means is necessary.

Allen Smith
Holyoke Massachusetts