Klarinet Archive - Posting 000349.txt from 1997/04

From: Fernando Silveira <fersilv@-----.NET>
Subj: Re: Villa-Lobos Trio
Date: Thu, 17 Apr 1997 08:57:51 -0400

John, I can tell you that your part is right. In seventh of
rehearsal 11 you have 2/4 and other have 3/4. As the another passages. If
you count how many quarters(I dont know if the word in english is like that.
In portuguese{if somebody could help me} I call it "seminima") you will see
that is the same. If the three instruments play it on the right way, on that
part it should be right. Play it slow, and you will see that the three
instruments will be on rehearal 12 at the same time.
I play it on march with an oboist that have a tesis about that trio.
He told me that Villa-Lobos created those diferent bars to have
diferent accents on the instruments.

If you need something more...

Cheers

Fernando Silveira
Prinsipal Clarinet - National Symphony - Brazil
Chamber Music Professor - Rio de Janeiro Federal University

At 23:29 09/04/97 -0400, you wrote:
>Here is an arcane question about the Villa-Lobos Trio for Oboe, Clarinet, and
>Bassoon. Does anyone own a copy of the International edition? If so, what
>happens in the seventh bar of rehersal number 11, the third bar of 12, and
>the third bar of 13? I have both an Eschig and a Kalmus clarinet part and the
>above-mentioned bars are all 2/4 against 3/4 for the other instuments. Does
>the International edition shed any light here or is it just a situation where
>you fudge the rhythm? Thanks to anyone who can shed light on something that
>probably won't be noticed anyway.
>
>John Warren
>Princpal Clarinetist, Savannah Symphony
>jwarren219@-----.com
>
>

   
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