Klarinet Archive - Posting 000185.txt from 1995/06
From: "Edwin V. Lacy" <el2@-----.EDU> Subj: Re: B-flat vs. A Date: Sun, 11 Jun 1995 16:44:26 -0400
On Fri, 9 Jun 1995 thehat@-----.ORG wrote:
> Il> I was studying the score of Debussy's Prelude to the Afternoon of a
> Il> Faun this spring and my mouth dropped open when I saw that he had
> Il> given the first clarinet a big two beats to change instruments, just
> Il> before a solo passage.
>
> This is a classic example of the need to be able to transpose easily into
> b-flat, c or a from either b-flat or A clarinet. I transpose constantly,
> especially if there is very little of one horn in a concert or 1/2 of a
> concert. Although this may be "incorrect" musicalogically, the benifits of
> consistant intonation and convenience cannot be overlooked.
>
One of my clarinet teachers told me that all clarinetists should be able
to transpose up or down, a minor 2nd, major 2nd or minor third. This
makes it possible to play any clarinet part, written for A, Bb or C on
any other instrument. Naturally, this is also easier said than done, but
is a valuable skill.
Edwin Lacy
el2=evansville
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