Klarinet Archive - Posting 000105.txt from 1994/02

From: "Jay Heiser (Product Manager, Govt Systems" <jayh@-----.COM>
Subj: Re: vibrato (specifically marked in the score)
Date: Thu, 10 Feb 1994 10:31:16 -0500

-->From: "Dr. Ronald P. Monsen" <RPMONS00@-----.EDU>
-->Subject: Re: vibrato
-->To: Multiple recipients of list KLARINET
<KLARINET%VCCSCENT.BITNET@-----.EDU>
-->In-Reply-To: Message of Wed,
--> 9 Feb 1994 18:58:00 EST from <0004839378@-----.COM>
-->Message-ID: <9402100629.aa00728@-----.COM>
-->
-->I must just add a bit to the vibrato discussion--I use it when I feel it is
-->needed--I have no idea of spectrums of overtones--I have and continue to read
-->Arthur Benade--controversial as he is to some of you--I have played the
clarnet
-->s he re-worked and they are without a doubt (For Me) the best ever.
-->
-->Vibrato is not planned in my performances--I know when and where I am going
-->to play diminished seventh arps--make crescendo and decrescendo--usually.
-->But unless it is marked VIBRATO as in the Glinka Trio I do not plan this--
-->it is there when I feel it should be. This is not scientific but it does

I've also played scores with sections marked 'NO VIBRATO'.
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