Klarinet Archive - Posting 000068.txt from 1994/02

From: "James E. Perone @-----.BITNET>
Subj: Re: Dan Leeson's question seeking reactions to use of vibrato
Date: Tue, 8 Feb 1994 10:33:25 -0500

When I studied with David Hite, he suggested a sort of wind vibrato in
approaching the Templeton "Pocket-Sized Sonata" because he felt that
it created less pitch variation than does lip vibrato. In the years since,
I find that I use lip vibrato when playing jazz, and occasionally when
I play some of the "flash and trash solos (only a little, however).
Regarding key vibrato -- some early flute methods (Baroque period)
describe a finger vibrato.

James Perone
perone@-----.bitnet