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Doublereed Archive - Posting 000090.txt from 2008/01
From: "HAROLD" <harold@-----.br>
Subj: Re: [DR-L] cutting and pasting
Date: Sat, 26 Jan 2008 11:09:11 -0500
Thanks for your reply John.But what I am referring to is cutting the piece
from say 350 measures to 300 playing G-d so to speak as the composer is long
gone.
Rgds
harold
It's very time consuming. For doubling, I stitched
together the oboe & EH parts of the Dvorak New World
Largo movement, so I didn't have to switch back &
forth between parts. Scissors, scotch tape (removable)
& Xerox machine. Did same with Alfred Reed's Xmas
music. Best to label the first opportunity to change
instruments to give yourself maximum time to adjust.
Have to keep track of count while doing this. Mental
& physical dexterity & a tad of moxie required. With
MUTS trickier yet but eminently doable.
Best,
john
--- HAROLD <harold@-----.br> wrote:
> Dear List(s):
> Would appreciate any advice from experienced hands
> on these Lists about
> cutting--and pasting --music.
> Am organizing presently a program of works by a
> composer who studied with
> Haydn and who departed Vienna to live and work in
> Rio de Janeiro in the
> early 1800s,or when the Portuguese Royal family fled
> Napoleon and
> established their court in the tropics.(1808---we
> are celebrating the 200th
> anniversary of their arrival this year)
> I find the music written by this fine craftsman,S.
> Neukomm to be well
> written but often too repetitive. But that's my
> opinion.
> Have participated in operas where there are cuts but
> rarely in instrumental
> works.
> Help!
>
> Rgds,
>
> Harold Emert
> Rio de Janeiro
> Brazil
>
>
>
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