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Doublereed Archive - Posting 000055.txt from 2007/10

From: "David Crispin / Crispin's Creations" <crispinscreations@-----.net>
Subj: Re: [DR-L] Play loud ...and louder!
Date: Thu, 04 Oct 2007 12:37:06 -0400

> It is possible for one to make reeds that play louder (ever louder!) or to
> find a louder bocal, but what then when the Diva on the podium asks for a
> real pp ?
> Herb

Using tubes with a high density (Grenadilla or some of the other rosewoods)
wooden "cork" would create very desirable and unusually intense resonances
in the reeds staple, resulting in enhanced projection. Just ask Alex Klein.
He used such stables when he had a source of them.

Unfortunately, the manufacturing such wooden "corks" involves tremendous
manufacturing problems. Klein's source stopped production soon after
starting it, finding their production to be grueling, frustrating, and
economically unviable.

It is one of my continuing projects to overcome or sidestep these problems.
I spoke to Mark Chudnow about the matter at the IDRS conference in Ithaca.
He agrees that a Grenadilla "cork" would be the cat's meow but has given up
on the matter due to what he perceives as insurmountable production
problems.

-David Crispin

----- Original Message -----
From: "herb fawcett" <herbgosia@-----.net>
To: <doublereed@-----.org>
Sent: Thursday, October 04, 2007 8:55 AM
Subject: Re: [DR-L] Play loud ...and louder!

> It is possible for one to make reeds that play louder (ever louder!) or to
> find a louder bocal, but what then when the Diva on the podium asks for a
> real pp ?
> Herb
>
>
> On 10/4/07 6:11 AM, "Edward B. Flowers" <flowerse@-----.net> wrote:
>
>> Harold,
>>
>> (1) Practice more; beef up your embouchure and play more open reeds.
>>
>> (2) You could also switch from your sweet-sounding Loree Royale to an AK
>> bore. The AK bore widens more quickly and is louder.
>>
>> I watched Sherry Syler do (1) above at last Sunday's Double Entendre
>> concert at the Goethe Institute on 5th Avenue.
>>
>> Stuart Dunkle emphasized point (2) while coaching me this summer at
>> Wellesley. He domonstrated how loud his AK bore was and he also played a
>> very open reed.
>>
>> These two points really do work.
>>
>> (3) I should also point out that the AK bore has a more penetrating (and
>> variable) tone which will cut through the other loud instrument sounds.
>> But I don't like this tone for chamber music--it sounds terrible in the
>> upper register with a flute.
>>
>> Edward B. Flowers (ob, EH)
>> New York City
>>
>>
>> HAROLD wrote:
>>> Dear List:
>>> "Can everyome please play softer!"
>>> I found myself yesterday at an orchestra rehearsal making this exact
>>> request.
>>> But it seems to be to avail: we seem to be playing louder and louder
>>> these days.So here's my question:how do we play loud and ... louder?
>>> Besides using a microphone on my oboe or EH ,I have tried taking less
>>> out of the reed and favoring the silver Chudnow tubes over the gold
>>> for this task.Any other suggestions?
>>>
>>> Awaiting all suggestions!
>>>
>>> Rgds,
>>>
>>> harold emert
>>>
>>>
>>> ---------------------------------------------------------------------
>>> For personal help: email doublereed-owner@-----.org
>>> Doublereed is a service of Woodwind.Org, Inc. http://www.woodwind.org
>>>
>>>
>>>
>>
>>
>>
>> ---------------------------------------------------------------------
>> For personal help: email doublereed-owner@-----.org
>> Doublereed is a service of Woodwind.Org, Inc. http://www.woodwind.org
>>
>
>
>
> ---------------------------------------------------------------------
> For personal help: email doublereed-owner@-----.org
> Doublereed is a service of Woodwind.Org, Inc. http://www.woodwind.org
>

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