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Doublereed Archive - Posting 000060.txt from 2007/06
From: "mortwein@-----.com>
Subj: Re: [DR-L] Re: 21 yr old Elizabeth Koch, Curtis dropout=ASO Principal
Date: Thu, 14 Jun 2007 16:41:43 -0400
Why would they offer her the job if they didn't like something about
her sound? What if the different oboe doesn't solve the sound issue?
Mark
-- Philip McKenzie <philclimb1@-----.com> wrote:
who would have made that call for the change of oboe? principal
clarinet? conductor? surely there john mack students in the
profession playing yamaha oboes. seemed like a gratuitous addition to
the article, just as the mention of cost and working life of a new oboe.=
=
Philip McKenzie =
----- Original Message ----
From: Michael Benthin <benthin@-----.net>
To: doublereed@-----.org
Sent: Thursday, June 14, 2007 8:00:32 AM
Subject: [DR-L] Re: 21 yr old Elizabeth Koch, Curtis dropout=3DASO
Principal Oboe
Regarding Elizabeth's Koch quitting Curtis to become principle oboe of =
the Atlanta Symph (see article:)
http://www.accessatlanta.com/arts/content/arts/stories/2007/06/12/0613al=
voboe.html
So this student of R. Woodhams is turning in her Yamaha oboe for the =
Loree- the article bit about the Cleveland Sound vs the Philadelphia =
sound (and the Tabuteau family tree of players) should spark some =
comment here- the article implies that the oboe change was done to =
conform to the sound of the instrument used by the former principle (J =
Douhly). I find this ironic as the "Philadelphia sound through Tabuteau=
=
orginally was based on Loree instruments and now Woodhams plays a =
Yamaha- (-8
quoth john.worrall@-----.ca
> Reading the article, I liked the part about
> =
> ...Lour=E9e [sic] instruments =97 the same brand of oboe that her =
> predecessor Dlouhy played. A top of the line model costs almost $7,00=
0 =
> and, at this level of playing, wears out in three to five years.
> =
> Someone remind me, starting in 2010, to start rummaging through her =
> trashcans.
> =
> =
> John
-- =
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