Doublereed - 2006 03 000078

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Doublereed Archive - Posting 000078.txt from 2006/03

From: Isaac Bull <contrareed@-----.ca>
Subj: Re: [DR-L] suspicious Loree on ebay
Date: Sun, 26 Mar 2006 03:42:34 -0500

That improvement was probably pioneered by Heckel LOL - don't tell me -
"required" only for Wagner operas and III oboe parts in Mahler
Symphonies????

Why not use hautbois d'amore or Cor Angle?

First I've ever heard of an oboe low A....but then nothing is surprising
these days.....

Good tactic for weeding out scammers Charles.....

Very entertaining....

Isaac
----- Original Message -----
From: "john vasko" <boanerges@-----.net>
To: <doublereed@-----.org>
Sent: Saturday, March 25, 2006 7:57 PM
Subject: Re: [DR-L] suspicious Loree on ebay

Alex Klein has an oboe with a low A key. I heard him play it at a
master class last spring.
John Vasko

On Mar 25, 2006, at 7:28 PM, cflat wrote:

>
> Hi,
> Here is what I do when I see obvious fake auctions. This one is a
> fake because the bidder IDs are kept private and the seller
> doesn't accept Paypal. These things almost always add up to a
> scam. So what I do is I email the person and ask if this oboe has
> the low A key. Guess what, they always have the low A key. I
> personally have never seen a low A key. ;-)
> Charles
>
>
> ---------- Original Message ----------------------------------
> From: "Sameer Al-Abdullah" <simsim29@-----.com>
> Reply-To: doublereed@-----.org
> Date: Sat, 25 Mar 2006 03:52:26 -0800
>
>
> HI
>
> I just saw this oboe and I'm sure i have seen it before but then
> that doesnt
> mean anything. However I read what the seller wrote and how much
> heshe is
> selling it for and I got suspicious. Anyways I could be just
> getting old and
> weary but I thought why not check it out you never know.
> Here it is the link
>
> http://cgi.ebay.com/PROFESSIONAL-LOREE-OBOE-in-Great-
> Condition_W0QQitemZ7400679017QQcategoryZ16227QQrdZ1QQcmdZViewItem
>
>
> Sameer Al-Abdullah
>
>
>
>
>
>
>> From: Oboeeee@-----.com
>> Reply-To: doublereed@-----.org
>> To: doublereed@-----.org
>> Subject: [DR-L] Quote of the Day...A Celebration of Easter
>> Date: Fri, 24 Mar 2006 21:03:37 EST
>>
>>
>>
>> �Dancing: The vertical expression of a horizontal desire
> legalized by
>> music.�
>>
>> -George Bernard Shaw (1856-1950) Irish literary critic,
> playwright and
>> essayist
>>
>>
>>
>> Woodruff Arts Center presents�Dance at the Rialto welcoming
> CORE
>> Performance
>> Company and the Atlanta Baroque Orchestra in a collaborative
> performance
>> of
>> the "Messiah."
>>
>> �The theatre and H�ndel's music were still perceived by many
>> ecclesiastics
>> as profane and subversive�Jonathan Swift, a cranky old man
> with
>> Gulliver's
>> Travels long behind him, almost prevented the Dublin performance
> �.
>> Swift
>> relented, but the contention "Messiah" aroused was still
> considerable
>> enough to
>> persuade H�ndel that the London premiere�should be advertised
> under the
>> title,
>> "A Sacred Oratorio," thus avoiding any charge of blasphemy.�
>> -David Vickers from www.gfhandel.org
>>
>> Several Dancers Core has initiated an artistic collaboration
> between its
>> dance company, CORE Performance Company, and the Atlanta Baroque
> Orchestra
>> to
>> present Georg Friedrich H�ndel�s "Messiah" on Saturday, April
> 1, 2006
>> at 8:00
>> p.m. at the Rialto Center for the Performing Arts. The
> contemporary
>> dancers
>> and Baroque musicians together have embraced the score of
> H�ndel�s
>> master work
>> to create an intimate and passionate performance. The melding of
>> contemporary dance and Baroque music will result in a reflective
> work
>> particularly
>> appropriate for the Easter season. This performance will be the
> closing
>> show in
>> the first season of �Woodruff Dance at the Rialto� series
> which is a
>> collaboration among Woodruff Arts Center, The Rialto Center and
> Several
>> Dancers Core.
>>
>> Sue Schroeder, Artistic Director of CORE Performance Company,
> describes
>> her
>> choreographic work on "Messiah" as... �an illuminated
> manuscript, where
>> the
>> dance adds color, movement and meaning to an already rich text
> and
>> score.�
>> Schroeder�s "Messiah" originally premiered with taped music in
> 2001 as
>> part of
>> Several Dancers Core�s 20th Anniversary Season. The work has
> been
>> updated
>> and expanded incorporating more of H�ndel�s score and
> integrating
>> musicians and
>> singers into the stage performance. Canadian-born Antoine
> Plante,
>> Artistic
>> Director of Houston�s early music ensemble, Mercury Baroque,
> will be
>> conducting the musicians of the Atlanta Baroque Orchestra and a
> chorus in
>> the
>> performance at the Rialto.
>>
>> Much controversy at the time of H�ndel�s premiere of
> the "Messiah"
>> revolved
>> around its sacred text being performed in a theatrical setting.
>> Schroeder�s
>> adaptation of the sacred work for dance, particularly
> contemporary dance,
>> is
>> equally innovative and provocative. The combination of an
> intimate,
>> authentic period performance with the unorthodox movement
> approach of
>> contemporary
>> dance challenges the conventions of performance of this musical
>> masterpiece.
>> CORE, under the artistic direction of Sue Schroeder and the
> Atlanta
>> Baroque
>> Orchestra have collaborated to re-envision this classic work
> with
>> contemporary
>> sophistication. The vocal soloists for "Messiah" will be: Ana
>> Trevino-Godfrey, soprano; Gerrod Pagenkopf, countertenor; Joseph
> Gaines,
>> tenor; and Sam
>> Handley, bass.
>>
>> Tickets are $16, $26 or $42 and may be purchased through the
> Rialto Box
>> Office. For more ticket information for "Messiah," please
> contact the
>> Rialto
>> Center Ticket Office at (404) 651-4727 or visit
> www.rialtocenter.org.
>>
>> Please join us for this emotional celebration if you are in the
>> neighborhood!
>>
>> Warmest Regards,
>>
>> Janie
>> Vice President for Development
>> Atlanta Baroque Orchestra
>> John Hsu, Artistic Director
>>
>>
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>
>
>
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