| | |
|
| Keller,Max E. |
| Sex |
|
| Comments |
|
| Written |
1977 |
| Duration |
13:00 |
| Comments |
The six poems in Erich Fried's cycle 'Verhaltensmuster' from the collection 'Die Beine der grösseren Lügen' on the one hand contrast each section one against the other, directly corresponding to the disciplinarian's nature. On the other it is made cohesive through signalling motifs. |
| Publisher
| SME/EMS
|
| Inst.
|
[4] Flute/Flute in G, Clarinet in Bb/Bass Clarinet, Piano, Cello |
| Grade
|
|
| Comments
|
|
| Written |
1981 |
| Duration |
8:00 |
| Comments |
Four poems about Switzerland by Jürg Weibel. The first: A contrast between the revolutionary past and the conservative present. The second: Eidgenoss / die Kunst / Waffenhändler zu sein / und als Friedensapostel zu gelten. |
| Publisher
| SME/EMS
|
| Inst.
|
[11] Flute, Oboe, Clarinet in Bb, Percussion, Piano, Soprano, Violin (2), Viola, Cello, Double Bass |
| Grade
|
|
| Comments
|
|
| Written |
1992 |
| Duration |
16:00 |
| Comments |
The poems are taken from different collections to form a cycle, the inner and outer components of which convey essentially Swiss characteristics: weighty burden, efficiency, precision as a substitute for happiness, and indifference. The Soprano's phraseology encompasses both 'speaking-song' and flamboyant melody. |
| Publisher
| SME/EMS
|
| Inst.
|
[6] Flute, Clarinet in Bb/Bass Clarinet, Piano, Soprano, Violin, Cello |
| Grade
|
|
| Comments
|
|
| Written |
1977 |
| Duration |
13:00 |
| Comments |
The six poems in Erich Fried's cycle 'Verhaltensmuster' from the collection 'Die Beine der grösseren Lügen' on the one hand contrast each section one against the other, directly corresponding to the disciplinarian's nature. On the other it is made cohesive through signalling motifs. |
| Publisher
| SME/EMS
|
| Inst.
|
[4] Flute/Flute in G, Clarinet in Bb/Bass Clarinet, Piano, Cello |
| Grade
|
|
| Comments
|
|
| Written |
1981 |
| Duration |
8:00 |
| Comments |
Four poems about Switzerland by Jürg Weibel. The first: A contrast between the revolutionary past and the conservative present. The second: Eidgenoss / die Kunst / Waffenhändler zu sein / und als Friedensapostel zu gelten. |
| Publisher
| SME/EMS
|
| Inst.
|
[11] Flute, Oboe, Clarinet in Bb, Percussion, Piano, Soprano, Violin (2), Viola, Cello, Double Bass |
| Grade
|
|
| Comments
|
|
| Written |
1992 |
| Duration |
16:00 |
| Comments |
The poems are taken from different collections to form a cycle, the inner and outer components of which convey essentially Swiss characteristics: weighty burden, efficiency, precision as a substitute for happiness, and indifference. The Soprano's phraseology encompasses both 'speaking-song' and flamboyant melody. |
| Publisher
| SME/EMS
|
| Inst.
|
[6] Flute, Clarinet in Bb/Bass Clarinet, Piano, Soprano, Violin, Cello |
| Grade
|
|
| Comments
|
|